139 bars of 4/4 at 140 BPM, about 3:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-11, 29-34 and 61, and 4 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 15 times: bars 23, 35, 66, 67, 97, 130 and 9 more.
1 more fill is written out on the fills page.
139 bars across 17 sections: 98 keep time, 15 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 72-86.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
139 bars, about 3:53 at the written tempo. The course breaks it into 47 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 15 times: bars 23, 35, 66, 67, 97, 130 and 9 more.