125 bars at 157 BPM -- fast, and 3:10 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 59-60, 63-64 and 84-85, and 3 more places -- 8.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 22 times: bars 5, 9, 17, 29, 57, 58 and 16 more.
8 more fills are written out on the fills page.
125 bars across 15 sections: 79 keep time, 22 are fills, 1 is a stop and 10 are silent. The longest unbroken stretch of time is bars 35-51.
157 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
125 bars, about 3:10 at the written tempo. The course breaks it into 48 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 22 times: bars 5, 9, 17, 29, 57, 58 and 16 more.