100 bars of 4/4 at a walking 96 BPM, 4:10 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 19 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 15 times: bars 4, 12, 40, 44, 48, 52 and 9 more.
6 more fills are written out on the fills page.
100 bars across 14 sections: 67 keep time, 15 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 22-31.
96 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
100 bars, about 4:10 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 4, 12, 40, 44, 48, 52 and 9 more.