62 bars, 3:28, at 71 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 14-16 and 30-36 -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 12 times: bars 13, 21, 25, 29, 41, 45 and 6 more.
5 more fills are written out on the fills page.
62 bars across 11 sections: 31 keep time, 12 are fills and 14 are silent. The longest unbroken stretch of time is bars 31-37.
71 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
62 bars, about 3:28 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 12 times: bars 13, 21, 25, 29, 41, 45 and 6 more.