119 bars of 4/4 at a walking 100 BPM, 4:46 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-27, 29-39 and 73-75, and 3 more places -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 25 times: bars 8, 12, 16, 40, 48, 53 and 19 more.
7 more fills are written out on the fills page.
119 bars across 11 sections: 65 keep time, 25 are fills, 2 are stops and 20 are silent. The longest unbroken stretch of time is bars 73-87.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
119 bars, about 4:46 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 25 times: bars 8, 12, 16, 40, 48, 53 and 19 more.