77 bars of 4/4 at 114 BPM, about 2:33 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28, 34-36 and 52 -- 7.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 18 times: bars 8, 10, 11, 12, 14, 16 and 12 more.
6 more fills are written out on the fills page.
77 bars across 13 sections: 27 keep time, 18 are fills, 16 are stops and 9 are silent. The longest unbroken stretch of time is bars 44-49.
114 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
77 bars, about 2:33 at the written tempo. The course breaks it into 42 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 8, 10, 11, 12, 14, 16 and 12 more.