120 bars at 180 BPM -- fast, and 2:40 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 11 more places -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 22 times: bars 1, 2, 7, 15, 17, 19 and 16 more.
7 more fills are written out on the fills page.
120 bars across 15 sections: 67 keep time, 22 are fills, 11 are stops and 2 are silent. The longest unbroken stretch of time is bars 24-33.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
120 bars, about 2:40 at the written tempo. The course breaks it into 51 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 1, 2, 7, 15, 17, 19 and 16 more.