107 bars of 4/4 at 120 BPM, about 3:33 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-9, 12 and 14-17, and 16 more places -- 34.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 15 times: bars 2, 3, 4, 5, 13, 21 and 9 more.
3 more fills are written out on the fills page.
107 bars across 6 sections: 86 keep time, 15 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 93-106.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
107 bars, about 3:33 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 2, 3, 4, 5, 13, 21 and 9 more.