233 bars at 215 BPM -- fast, and 4:20 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 51-56, 63-64 and 115-120, and 3 more places -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 40 times: bars 8, 16, 48, 49, 50, 57 and 34 more.
14 more fills are written out on the fills page.
233 bars across 16 sections: 101 keep time, 41 are fills, 66 are stops and 5 are silent. The longest unbroken stretch of time is bars 28-37.
215 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
233 bars, about 4:20 at the written tempo. The course breaks it into 60 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 40 times: bars 8, 16, 48, 49, 50, 57 and 34 more.