104 bars of 6/4 -- not four -- at 144 BPM, 4:20 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-24 -- 23.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
104 bars across 8 sections: 53 keep time and 44 are silent. The longest unbroken stretch of time is bars 11-24.
144 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
24 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 15 out of 100; the rest of the number is everything around it.
104 bars, about 4:20 at the written tempo. The course breaks it into 20 exercises over 5 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.