98 bars of 4/4 at a walking 95 BPM, 4:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 73, 75-78 and 81-84, and 3 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 29 times: bars 10, 11, 17, 18, 19, 20 and 23 more.
4 more fills are written out on the fills page.
98 bars across 15 sections: 51 keep time, 29 are fills and 1 is silent. The longest unbroken stretch of time is bars 75-84.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
98 bars, about 4:08 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 29 times: bars 10, 11, 17, 18, 19, 20 and 23 more.