132 bars of 4/4 at 139 BPM, about 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-36, 38-40 and 42-44, and 8 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 36 times: bars 9, 13, 17, 25, 33, 41 and 30 more.
7 more fills are written out on the fills page.
132 bars across 7 sections: 87 keep time, 36 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-8.
139 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
132 bars, about 3:49 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 36 times: bars 9, 13, 17, 25, 33, 41 and 30 more.