81 bars of 4/4 at a walking 85 BPM, 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 53-59, 61 and 67-72, and 1 more place -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 10 times: bars 40, 47, 48, 52, 60, 63 and 4 more.
2 more fills are written out on the fills page.
81 bars across 9 sections: 62 keep time, 10 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 1-28.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
81 bars, about 3:49 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 40, 47, 48, 52, 60, 63 and 4 more.