132 bars of 4/4 at 139 BPM, about 3:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 43-45, and 8 more places -- 23.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 35 times: bars 26, 30, 34, 38, 42, 46 and 29 more.
7 more fills are written out on the fills page.
132 bars across 10 sections: 81 keep time, 35 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 115-125.
139 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
132 bars, about 3:48 at the written tempo. The course breaks it into 39 exercises over 14 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 35 times: bars 26, 30, 34, 38, 42, 46 and 29 more.