112 bars of 4/4 at 123 BPM, about 3:39 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28-34, 54-60 and 62-64, and 3 more places -- 26.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 22 times: bars 2, 3, 7, 11, 19, 27 and 16 more.
10 more fills are written out on the fills page.
112 bars across 11 sections: 57 keep time, 22 are fills, 16 are stops and 5 are silent. The longest unbroken stretch of time is bars 87-94.
123 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
112 bars, about 3:39 at the written tempo. The course breaks it into 44 exercises over 14 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 22 times: bars 2, 3, 7, 11, 19, 27 and 16 more.