96 bars of 4/4 at 122 BPM, about 3:09 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 30-36, 38-44 and 63-69, and 1 more place -- 29.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 9 times: bars 37, 45, 52, 62, 70, 78 and 3 more.
4 more fills are written out on the fills page.
96 bars across 9 sections: 71 keep time, 10 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 6-27.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
96 bars, about 3:09 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 9 times: bars 37, 45, 52, 62, 70, 78 and 3 more.