149 bars of 4/4 at 140 BPM, about 4:16 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 62, 64 and 70, and 6 more places -- 7.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 16 times: bars 16, 37, 38, 40, 52, 60 and 10 more.
7 more fills are written out on the fills page.
149 bars across 15 sections: 77 keep time, 16 are fills, 23 are stops and 23 are silent. The longest unbroken stretch of time is bars 19-28.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
149 bars, about 4:16 at the written tempo. The course breaks it into 53 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 16 times: bars 16, 37, 38, 40, 52, 60 and 10 more.