85 bars of 4/4 at 112 BPM, about 3:03 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 10-11 and 29-31, and 7 more places -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 16, 27, 28, 40, 51, 52 and 2 more.
85 bars across 10 sections: 61 keep time, 9 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 18-26.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
85 bars, about 3:03 at the written tempo. The course breaks it into 25 exercises over 10 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 16, 27, 28, 40, 51, 52 and 2 more.