100 bars of 4/4 at 123 BPM, about 3:15 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 28-30, 32-34 and 52-54, and 7 more places -- 30.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 1 time: bar 59.
100 bars across 5 sections: 90 keep time, 1 is a fill, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 26-58.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
100 bars, about 3:15 at the written tempo. The course breaks it into 17 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 59.