66 bars of 4/4 at 118 BPM, about 2:14 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 38-40, and 3 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 7 times: bars 25, 29, 45, 49, 54, 57 and 1 more.
66 bars across 9 sections: 40 keep time, 7 are fills, 4 are stops and 5 are silent. The longest unbroken stretch of time is bars 18-24.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
66 bars, about 2:14 at the written tempo. The course breaks it into 20 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 25, 29, 45, 49, 54, 57 and 1 more.