136 bars at 190 BPM -- fast, and 2:51 of it without a break -- on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27, 29 and 31, and 23 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 1, 2, 25, 26, 52, 68 and 5 more.
1 more fill is written out on the fills page.
136 bars across 9 sections: 110 keep time, 11 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 3-24.
190 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
136 bars, about 2:51 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 1, 2, 25, 26, 52, 68 and 5 more.