The beat the song is built on is one bar, played through bars 27-29, 31-33 and 35-37, and 5 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on snare and kick, counted in sixteenth notes. On its own it scores 16 out of 100 -- straightforward -- and the thing that decides that is how many notes a second it asks for.
The whole song is 51 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 150 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 150, 175 and 200 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on snare and kick, in 4/4 at 200 BPM, counted in sixteenth notes. It is written out above, and it covers 18.5% of the bars the kit plays.
Bars 27-29, 31-33, 35-37 and 39-41, and 4 more places. The time is kept on the silence to start with, and it changes 18 times over the song.
16 out of 100 on its own -- straightforward. The song as a whole is 51 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.