155 bars at 200 BPM -- fast, and 3:35 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 35-37, and 5 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 7 times: bars 18, 30, 42, 95, 107, 141 and 1 more.
155 bars across 15 sections: 99 keep time, 7 are fills, 15 are stops and 25 are silent. The longest unbroken stretch of time is bars 70-85.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 16 out of 100; the rest of the number is everything around it.
155 bars, about 3:35 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 7 times: bars 18, 30, 42, 95, 107, 141 and 1 more.