171 bars of 4/4 at 150 BPM, about 4:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-16 and 18-20, and 10 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
27 fills to learn, played 40 times: bars 8, 9, 13, 21, 25, 29 and 34 more.
23 more fills are written out on the fills page.
179 bars across 19 sections: 90 keep time, 40 are fills, 23 are stops and 14 are silent. The longest unbroken stretch of time is bars 1-7.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
171 bars, about 4:33 at the written tempo. The course breaks it into 64 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 40 times: bars 8, 9, 13, 21, 25, 29 and 34 more.