102 bars of 4/4 at a walking 104 BPM, 3:55 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 12-15 and 18-23, and 4 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 21 times: bars 4, 8, 16, 24, 28, 32 and 15 more.
8 more fills are written out on the fills page.
102 bars across 8 sections: 71 keep time and 21 are fills. The longest unbroken stretch of time is bars 17-23.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
102 bars, about 3:55 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 21 times: bars 4, 8, 16, 24, 28, 32 and 15 more.