164 bars of 4/4 at 138 BPM, about 4:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 30-31, 34-35 and 38-39, and 5 more places -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 58 times: bars 2, 3, 6, 7, 9, 10 and 52 more.
19 more fills are written out on the fills page.
164 bars across 12 sections: 83 keep time, 58 are fills, 8 are stops and 2 are silent. The longest unbroken stretch of time is bars 112-123.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 43 out of 100; the rest of the number is everything around it.
164 bars, about 4:45 at the written tempo. The course breaks it into 60 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 58 times: bars 2, 3, 6, 7, 9, 10 and 52 more.