248 bars of 4/4 at 150 BPM, about 6:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 15-30, 41-47 and 57-60, and 5 more places -- 21.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 35 times: bars 13, 14, 32, 35, 37, 38 and 29 more.
10 more fills are written out on the fills page.
248 bars across 26 sections: 147 keep time, 35 are fills, 30 are stops and 14 are silent. The longest unbroken stretch of time is bars 149-170.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
248 bars, about 6:37 at the written tempo. The course breaks it into 65 exercises over 15 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 35 times: bars 13, 14, 32, 35, 37, 38 and 29 more.