130 bars of 4/4 at 150 BPM, about 3:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 31-37, 59-65 and 67-73, and 2 more places -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 24 times: bars 14, 18, 22, 26, 30, 38 and 18 more.
3 more fills are written out on the fills page.
130 bars across 11 sections: 91 keep time, 25 are fills and 1 is a stop. The longest unbroken stretch of time is bars 80-87.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
130 bars, about 3:28 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 24 times: bars 14, 18, 22, 26, 30, 38 and 18 more.