68 bars of 4/4 at 116 BPM, about 2:19 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-6, 10 and 14, and 8 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 15 times: bars 8, 12, 16, 20, 24, 29 and 9 more.
5 more fills are written out on the fills page.
68 bars across 9 sections: 42 keep time, 15 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-7.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
68 bars, about 2:19 at the written tempo. The course breaks it into 32 exercises over 7 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 8, 12, 16, 20, 24, 29 and 9 more.