131 bars of 4/4 at 110 BPM, about 5:01 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-8, 61-68 and 95-102 -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 25, 51, 85, 112, 114, 116 and 2 more.
1 more fill is written out on the fills page.
131 bars across 12 sections: 94 keep time, 8 are fills, 3 are stops and 6 are silent. The longest unbroken stretch of time is bars 92-102.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 20 out of 100; the rest of the number is everything around it.
131 bars, about 5:01 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 25, 51, 85, 112, 114, 116 and 2 more.