187 bars of 4/4 at 120 BPM, about 6:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 64-70, 96-110 and 144-150, and 2 more places -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
22 fills to learn, played 45 times: bars 5, 12, 13, 20, 21, 27 and 39 more.
18 more fills are written out on the fills page.
187 bars across 15 sections: 80 keep time, 45 are fills, 36 are stops and 15 are silent. The longest unbroken stretch of time is bars 160-174.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
187 bars, about 6:14 at the written tempo. The course breaks it into 58 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 45 times: bars 5, 12, 13, 20, 21, 27 and 39 more.