228 bars at 220 BPM -- fast, and 4:08 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 55-63, 98-111 and 160-167, and 2 more places -- 22.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 15 times: bars 7, 8, 23, 24, 48, 64 and 9 more.
5 more fills are written out on the fills page.
228 bars across 25 sections: 161 keep time, 15 are fills, 13 are stops and 17 are silent. The longest unbroken stretch of time is bars 31-47.
220 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
228 bars, about 4:08 at the written tempo. The course breaks it into 63 exercises over 17 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 7, 8, 23, 24, 48, 64 and 9 more.