136 bars of 4/4 at a walking 105 BPM, 5:11 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-38, 41-47 and 61-66, and 3 more places -- 28.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 24, 32, 40, 60, 68, 99 and 4 more.
1 more fill is written out on the fills page.
136 bars across 10 sections: 114 keep time and 10 are fills. The longest unbroken stretch of time is bars 1-23.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
136 bars, about 5:11 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 24, 32, 40, 60, 68, 99 and 4 more.