68 bars, 3:36, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 1-6, 10-16 and 26-27, and 1 more place -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 10 times: bars 31, 35, 43, 47, 49, 51 and 4 more.
4 more fills are written out on the fills page.
68 bars across 11 sections: 41 keep time, 11 are fills and 5 are silent. The longest unbroken stretch of time is bars 5-16.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 14 out of 100; the rest of the number is everything around it.
68 bars, about 3:36 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 31, 35, 43, 47, 49, 51 and 4 more.