180 bars of 4/4 at 132 BPM, about 5:27 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13-15, and 22 more places -- 34.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 16 times: bars 8, 12, 16, 24, 49, 50 and 10 more.
2 more fills are written out on the fills page.
180 bars across 10 sections: 137 keep time, 16 are fills and 19 are silent. The longest unbroken stretch of time is bars 25-48.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
180 bars, about 5:27 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 16 times: bars 8, 12, 16, 24, 49, 50 and 10 more.