129 bars of 4/4 at 120 BPM, about 4:18 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 35-58, 65-66 and 73-76, and 2 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 3 times: bars 84, 92 and 100.
129 bars across 7 sections: 118 keep time, 3 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-34.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
129 bars, about 4:18 at the written tempo. The course breaks it into 19 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 3 times: bars 84, 92 and 100.