140 bars of 4/4 at 132 BPM, about 4:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-15, 35 and 39, and 3 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 25 times: bars 8, 16, 34, 36, 38, 40 and 19 more.
13 more fills are written out on the fills page.
140 bars across 15 sections: 78 keep time, 25 are fills, 20 are stops and 1 is silent. The longest unbroken stretch of time is bars 26-33.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 61 out of 100; the rest of the number is everything around it.
140 bars, about 4:15 at the written tempo. The course breaks it into 59 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 25 times: bars 8, 16, 34, 36, 38, 40 and 19 more.