143 bars of 4/4 at 135 BPM, about 4:16 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 53-54, 61-62 and 79-88, and 3 more places -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 28 times: bars 12, 16, 20, 28, 36, 37 and 22 more.
12 more fills are written out on the fills page.
143 bars across 14 sections: 47 keep time, 28 are fills, 50 are stops and 7 are silent. The longest unbroken stretch of time is bars 80-88.
135 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 56 out of 100; the rest of the number is everything around it.
143 bars, about 4:16 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 28 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 28 times: bars 12, 16, 20, 28, 36, 37 and 22 more.