111 bars of 4/4 at 135 BPM, about 3:16 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16-22, 28-29 and 36-37, and 6 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 34 times: bars 23, 24, 25, 26, 27, 31 and 28 more.
4 more fills are written out on the fills page.
111 bars across 18 sections: 27 keep time, 34 are fills, 37 are stops and 7 are silent. The longest unbroken stretch of time is bars 73-78.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
111 bars, about 3:16 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 34 times: bars 23, 24, 25, 26, 27, 31 and 28 more.