120 bars of 4/4 at 128 BPM, about 3:45 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 10-12, and 11 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 44 times: bars 1, 5, 13, 14, 18, 21 and 38 more.
16 more fills are written out on the fills page.
120 bars across 15 sections: 55 keep time, 44 are fills, 1 is a stop and 10 are silent. The longest unbroken stretch of time is bars 6-12.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
120 bars, about 3:45 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 44 times: bars 1, 5, 13, 14, 18, 21 and 38 more.