90 bars of 4/4 at a walking 106 BPM, 3:24 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-8, 27-32 and 34, and 3 more places -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 12 times: bars 2, 25, 26, 49, 50, 58 and 6 more.
2 more fills are written out on the fills page.
90 bars across 15 sections: 50 keep time, 12 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 14-22.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
90 bars, about 3:24 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 2, 25, 26, 49, 50, 58 and 6 more.