115 bars of 4/4 at 144 BPM, about 3:12 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 33, and 9 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 2 times: bars 96 and 97.
115 bars across 13 sections: 67 keep time, 2 are fills, 26 are stops and 13 are silent. The longest unbroken stretch of time is bars 13-28.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
115 bars, about 3:12 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 96 and 97.