126 bars at 200 BPM -- fast, and 2:58 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34-36, 38-40 and 42-44, and 3 more places -- 18.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 4, 16, 24, 49, 61, 78 and 1 more.
1 more fill is written out on the fills page.
126 bars across 15 sections: 68 keep time, 7 are fills, 7 are stops and 29 are silent. The longest unbroken stretch of time is bars 34-48.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
126 bars, about 2:58 at the written tempo. The course breaks it into 41 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 4, 16, 24, 49, 61, 78 and 1 more.