103 bars of 4/4 at 140 BPM, about 2:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 24, 27 and 30, and 6 more places -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 11, 15, 16, 20, 21, 22 and 9 more.
3 more fills are written out on the fills page.
103 bars across 7 sections: 71 keep time, 15 are fills, 1 is a stop and 12 are silent. The longest unbroken stretch of time is bars 86-99.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
103 bars, about 2:57 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 11, 15, 16, 20, 21, 22 and 9 more.