179 bars of 4/4 at 148 BPM, about 4:41 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-7, 13-15 and 31-33, and 3 more places -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 8, 16, 34, 42, 83, 85 and 5 more.
3 more fills are written out on the fills page.
179 bars across 26 sections: 120 keep time, 13 are fills, 8 are stops and 13 are silent. The longest unbroken stretch of time is bars 57-80.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
179 bars, about 4:41 at the written tempo. The course breaks it into 55 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 8, 16, 34, 42, 83, 85 and 5 more.