184 bars of 4/4 at 150 BPM, about 4:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5, 7-8 and 21-34, and 6 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 34 times: bars 3, 12, 18, 43, 45, 47 and 28 more.
6 more fills are written out on the fills page.
184 bars across 12 sections: 129 keep time, 35 are fills and 6 are stops. The longest unbroken stretch of time is bars 155-184.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
184 bars, about 4:53 at the written tempo. The course breaks it into 37 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 34 times: bars 3, 12, 18, 43, 45, 47 and 28 more.