87 bars of 4/4 at a walking 90 BPM, 3:52 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 43-45, and 6 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 15 times: bars 12, 14, 20, 24, 28, 32 and 9 more.
1 more fill is written out on the fills page.
87 bars across 10 sections: 54 keep time, 15 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 34-41.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
87 bars, about 3:52 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 15 times: bars 12, 14, 20, 24, 28, 32 and 9 more.