145 bars of 4/4 at a walking 80 BPM, 7:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-11, 45-49 and 51, and 8 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 19 times: bars 52, 53, 54, 55, 56, 84 and 13 more.
145 bars across 17 sections: 74 keep time, 19 are fills, 25 are stops and 9 are silent. The longest unbroken stretch of time is bars 64-78.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
40 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
145 bars, about 7:15 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 19 times: bars 52, 53, 54, 55, 56, 84 and 13 more.