THE BUTTERFLY EFFECT · DRUM FILLS

The drum fills in Perception Twin

4 fills to learn, played 19 times across 145 bars. Two fills that share a rhythm and differ only in how they are spread round the toms are one fill here, learned once and orchestrated twice.

TEMPO
80 BPM
TIME
4/4
BARS
145
LENGTH
7:15
DIFFICULTY
40/100

Bar 52, and 14 more times

LOOP · 80 BPM
PLAYED AT BARS 52-56, 96-100 AND 104-108 · LANDS ON BAR 57

On crash, ride, snare, mid tom, floor tom and kick. 35 out of 100 -- a fair first song -- and what decides that is the independence between the hands and the feet. In the song it lands on bar 57. The exercise loops the figure on its own first, and the one after it puts it back: one bar of rest to count yourself in, the figure, then the landing with the time still running. Getting out of a fill is the half most people never practise.

Bar 84

LOOP · 80 BPM
PLAYED AT BAR 84 · LANDS ON BAR 85

On crash, snare, mid tom, floor tom, kick and hi-hat foot. 36 out of 100 -- a fair first song -- and what decides that is the independence between the hands and the feet. In the song it lands on bar 85. The exercise loops the figure on its own first, and the one after it puts it back: one bar of rest to count yourself in, the figure, then the landing with the time still running. Getting out of a fill is the half most people never practise.

Bar 116

LOOP · 80 BPM
PLAYED AT BAR 116 · LANDS ON BAR 117

On snare, mid tom, floor tom, kick and hi-hat foot. 45 out of 100 -- a step up -- and what decides that is the independence between the hands and the feet. In the song it lands on bar 117. The exercise loops the figure on its own first, and the one after it puts it back: one bar of rest to count yourself in, the figure, then the landing with the time still running. Getting out of a fill is the half most people never practise.

Bar 144, and 1 more time

LOOP · 80 BPM
PLAYED AT BARS 144-145

On crash, hi-hat, snare, kick and hi-hat foot. 35 out of 100 -- a fair first song -- and what decides that is the independence between the hands and the feet.

How a fill is practised

A fill is rhythm before it is orchestration. The room plays the whole figure on the snare first, puts the feet under it second, and moves it round the toms last -- looped on its own, round and round, until the hands know it. Then it puts the fill back where it lives: a bar of rest to count in, the figure, and the downbeat it lands on, because landing square is the other half of the job.

PRACTISE THESE FILLS →

Questions

How many drum fills are in Perception Twin?

4 distinct fills, played 19 times: bars 52-56, 84, 96-100, 104-108, 116 and 144-145.

What is the hardest fill in Perception Twin?

The one at bar 116, at 45 out of 100. 145 bars of 4/4 at a walking 80 BPM, 7:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.

READ OFF THE SCORE ITSELF · 145 BARS ANALYSED