90 bars of 4/4 at 125 BPM, about 2:53 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-5, 19-21 and 30, and 16 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 14 times: bars 6, 38, 40, 46, 51, 52 and 8 more.
90 bars across 10 sections: 66 keep time, 14 are fills and 2 are stops. The longest unbroken stretch of time is bars 23-35.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 46 out of 100; the rest of the number is everything around it.
90 bars, about 2:53 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 14 times: bars 6, 38, 40, 46, 51, 52 and 8 more.